The Room The Nazis Surrendered In

Matt recently visited Berlin and took the opportunity to visit the German-Russian Museum in Karlshorst, the site of Nazi Germany’s unconditional surrender. The museum’s centrepiece is the hall in which the surrender documents were signed, restored to how it appeared at that historic moment.

The hall itself is inside what used to be the officers’ mess of the Wehrmacht’s pioneer corps training school No.1 (Pionierschule 1) which was established in 1936 in Karlshorst, an eastern suburb of Berlin. The officers’ mess building was built in the late 1930s. Later, in 1942 the school was renamed the Fortress Pioneer School (or Festungspionierschule).

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The Pioneer School’s Officers’ Mess under Soviet occupation, c.1945

During the Battle for Berlin and the Soviet push into the centre of the German capital, the school was occupied by a Soviet battalion on 23rd April. The Soviet military maintained a presence at the former pioneer school for the next 40 years, with parts used by the KGB.

After the war the building housed the Soviet Military Administration in Germany until 1949, when the German Democratic Republic was formed. Today, much of the school has been reclaimed for housing and the mess the building is home to the awkwardly named, German-Russian Museum which tells the story of WWII from the Russian perspective.

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The former Officers’ Mess today (Matthew Moss)

The surrender was signed by three representatives of the German high command, Field Marshall Wilhelm Keitel, Admiral Von Friedeburg and Colonel General Stumpff early on the 9th May, 1945 – in the presence of Soviet commander in chief Marshal Georgy Zhukov and Air Chief Marshal Arthur Tedder – Deputy Supreme Commander at Supreme Headquarters Allied Expeditionary Force.

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The hall in which the surrender was signed (Matthew Moss)

The initial instrument of surrender had been signed in Riems, in France, the day before but the documents were officially ratified in Berlin at 00:16, on 9th May. The Soviets believed it was more fitting that the surrender be signed in the German capital – highlighting the Soviet role in victory. The surrender ended both the last of the fighting around Berlin as well as the war in Europe.

In 1967 the Soviet Armed Forces in Berlin established the museum, then called the ‘Museum of Unconditional Surrender of Fascist Germany in the Great Patriotic War 1941-1945’, the hall was restored to look as it did on the night of the surrender.

It was a surreal experience being in a room which was witness to one of history’s most defining moment and you could certainly feel the history of the room.

You can find out more about the museum here.


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Surplus Zone: PIAT EOD Training Bomb

Whilst looking through the piles of surplus ‘kit’ in my friends warehouse in Germany I came across an interesting find, an Explosive Ordnance Disposal (EOD) training kit that has several examples of WWII and after ordnance that might be found on training grounds and former battlefields throughout Europe.

One of the elements from that training kit was a PIAT or Projector, Infantry, Anti-Tank, round. Many of these have been found across northwest Europe since the end of WWII and it was important for EOD teams to be able to identify them and understand how they work in order to safely dispose of them.

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A British a PIAT or Projector, Infantry, Anti-Tank (Matthew Moss)

This example is likely an ‘instructional’ round that may have been produced from a previously live round and not subsequently marked as inert. In the video, which was filmed on location from memory, I mentioned that the charge was inside the front cone. Instead the charge was actually just behind the steel cone, which acted as a forcing cone, and has seen been replaced by some sawdust. We can see this in the diagram below, which shows an earlier Mk round but the configuration remains the same:

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A close up of the bomb’s markings (Vic Tuff)

This time we examine an example of the Mk3 PIAT Bomb. When I filmed the video I wasn’t sure of the markings but this chart below more clearly explains them:

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There were 7 marks of PIAT bomb:

MkI yellow/green/yellow band 808 stamped on green band, red x’s around nose cone

Mk2 as above

Mk3 yellow/blue/yellow band TNT stamped on blue band, red circle around nose cone

Mk4 as above

Inert bomb black with yellow band INERT in white

Drill bomb black with DRILL in white x 2

Practice bomb – to fit the practice insert tray, painted white and it looks nothing at all like a PIAT bomb!

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The inert EOD ‘Mk3’ training round (Vic Tuff)

Our inert bomb isn’t painted black, instead it is painted up as a Mk3 to emulate what a live blind found in the field would look like.

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An inert ‘Drill’ round painted black (Matthew Moss)

Here’s an extract from the PIAT’s manual explaining how the fuze was fitted to a live round:

From the PIAT manual:
The fuze. – Until required for use the fuze is kept in a container attached to the drum tail by a spring clip….

ii. To fuze. – Remove the fuze container from the drum tail and take out the fuze. Remove the thimble from the bomb nose by pressing it downwards and turning it clockwise. Remove the transit plug from the fuze chamber and insert the fuze flat end first. Replace the thimble. The transit plug should be placed in the fuze container and the latter put in the carrier, in case the bomb should later have to be unfuzed.


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The Art of Persuasion – the Abram Games Exhibition

I recently had the opportunity to visit the National Army Museum in London and check out their current exhibition, The Art of Persuasion, a look at the wartime work of graphic designer Abram Games. While you may not recognise the name you will probably recognise some of his impressive and striking posters.

Games’ work is instantly arresting with an eye-catching starkness which underlines the messages he sought to convey. In the video above I aim to give a feel for the exhibition and, if you are unfamiliar with him, a feel for Games’ work.

He joined the army in 1940 and began designing posters for both military and civilian audiences in 1941. Over the next 5 years he designed over 100 posters, some of which have become iconic.

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Some of Games’ posters designed to dissuade loose talk (Matthew Moss)

Describing himself as a ‘graphic thinker’ Games used silhouettes and contrasting colour and vivid subjects. Largely self-taught Games was extremely passionate about his work and by November 1942 had been made ‘Official War Poster Artist’.

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A shot of the exhibition space showing some of the posters on display (Matthew Moss)

The exhibition not only displays his work but also explains how Games created his posters, often working from models or taking photographs of soldiers training. Some posters have his original sketches displayed next to them to show how the concepts evolved.

His posters encouraged young women to join the ATS, soldiers to volunteer for the Commandos and civilians to support the war effort. In addition to posters for the War Office, some of his most recognisable work, including the ‘Your Britain, Fight For It Now’ posters were designed for the Army Bureau of Current Affairs in an effort to raise morale and promote the idea of post war reform and progress. He also designed a series of powerful, striking posters for appeals to aid Europe’s Jews, a cause he was deeply connected to as a Jew. Games was demobilised in 1945 and enjoyed a long, successful civilian career, he died in 1996.

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Appeal posters to aid Europe’s Jews (Matthew Moss)

The National Army Museum’s exhibition works hard to give a feel for not just the work but also the man and his motivations. Games’ wartime posters are extremely, unsurprising when most were covered or torn down after a few months, so it was a rare treat to see them in person, up close you get a sense of what it would have been like to see one on a barrack wall or a billboard 75 years ago. The exhibition also had some interesting interactive elements with a touch screen allowing visitors to create their own Games-style posters and also another screen with video interviews with Games’ daughter and people who knew him talking about his work.

Games’ work are not just pieces of art but also important historical objects that can help us understand what the war was like and what motivated people to fight.

Find out more about the exhibition on the National Army Museum’s website, here.


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Rifle No.4 Cutaway

We’ve looked at a few cutaways in the past, today we’re going to take a look at a Lee-Enfield Rifle No.4 cutaway.

One of the main drawbacks of the venerable SMLE was that it was expensive and time consuming to manufacture. The No.4 was an attempt to address this. It evolved from the experimental No.1 MkV and MkVI which were trialled in the early 1920s. The key mechanical change was that the barrel was free-floated and had a heavier profile to deal with expansion of the stock. The No.4 also had a new rear aperture sight mounted further back on the receiver giving a better sight picture and a longer sight radius.

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Close up of the Rifle No.4 Instructional Cutaway’s receiver (Matthew Moss)(Matthew Moss)

With this cutaway we get a look inside the butt trap, which has a pull-through and oil bottle inside, then as we move to the action we get a look at the rifle’s trigger, sear, sear spring and magazine catch.  If we look closely we can see the bolt head catch. The magazine has also been cutaway, with the magazine follower spring just visible.

This cutaway rifle has had all of the wood around its receiver removed, so we can see the magazine housing floor plate and the point where the retaining screw attaches to the trunnion. As we move along we get a look inside the chamber where the outline of the cartridge neck is easy to see and we can also see the barrel’s rifling too.

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Rifle No.4 Instructional Cutaway (Matthew Moss)

Down near the muzzle the rifle’s upper retaining band and the hand guard have been cutaway to show the barrel inside. The No.4 was adopted for service officially in November 1939 and just over 4 million were made during WW2. We’ll have a full, more in-depth video on the No.4 in the future.

Check out our earlier videos featuring cutaways including the Pattern 14 and the CETME AMELI.


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Live Fire: Bren Mk1 (Modified)

Introduce in British service in 1938, the Bren remained in use into the 1990s. Based upon the Czechoslovakian series of ZB light machine guns, its name comes from an amalgamation of its origins: BR for Brno, the factory in Czechoslovakia, and EN for RSAF Enfield where it had been adapted for British service and was to be produced.

The Bren is chambered in .303, is gas operated and fires from an open bolt. It feeds from a top-mounted 30 round box magazine, as such the sights are offset to the left meaning the Bren can only be fired from the right shoulder – which as a lefty, I quickly realised.

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Bren Mk1(Modified) (Matthew Moss)

This example does not have the scope mounting dovetail machined into the left side of its receiver, or the folding grip and the hinged shoulder rest indicating that it is a Mk1 (Modified) ‘Pattern A’ gun, which was introduced after the evacuation of Dunkirk, the British Expeditionary Force lost most of the 30,000 Brens that had been taken to France. Only around 2,000 remained in inventory in the summer of 1940, so increasing production was essential, this model and the even more simplified MkII were introduced. While at the same time the BESAL light machine gun was developed as an emergency alternative by BSA – check out our earlier video on the BESAL here.

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The BSA-developed BESAL light machine gun (Matthew Moss)

As a Mk1, the gun has the original profile buttstock, with the fitting for a rear folding grip and tripod attachment point as well as a buttcap. It also has the drum rear sight rather than the later ladder sight of the Mk2 & 3. It also had a folding cocking handle and this Mk1(M) gun also has the earlier pattern height adjustable, rather than fixed, bipod legs. This gun is marked ‘MK1, with an E within a D, 1942’ indicating it was made at RSAF Enfield.

 

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Bren Mk1(Modified) with magazine off and dust cover closed, note the drum sight but lack of receiver cut for optic (Matthew Moss)

The Bren’s relatively slow rate of fire (of around 500 rounds per minute) makes it controllable and very easy to fire single shots while in full auto. The Bren does, however, have a selector on the left side of the gun, just above the trigger guard, which can be set to safe, semi or fully automatic. The Bren has a rocking recoil impulse as its heavy bolt moves back and forth, easily manageable if held tightly into the shoulder with the off-hand holding onto the wrist of the stock. The top-mounted magazine when fully loaded does have a tendency to want to fall to the side but once you’re used to this it’s not really an issue. The legend surrounding the accuracy of the Bren is certainly somewhat valid, at the time it was recognised as an accurate weapon and I found it accurate from my short time behind the trigger.  I found the Mk1’s rear sight aperture and drum adjustment easy to use.

Spent cases eject out of the bottom of the receiver, the weapon had a sliding dust cover for when the magazine was removed and the charging handle is non reciprocating and folds forward.

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Bren Mk1(Modified) with magazine off, dust cover closed and barrel removed (Matthew Moss)

The Bren has a quick change barrel system. To remove the barrel the release catch in front of the magazine was rotated upwards to unlock and then the barrel was rotated 90 degrees clockwise by bringing the carrying handle up to the 12 o’clock position and then sliding it forward.

We’ll have a more in-depth look at the Bren and its Czech predecessors in the future. My thanks to my friend Chuck over at Gunlab for letting me put some rounds through his Bren, I got a real kick out of it!


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Live Fire: Browning M1919A4

Today’s episode is the last video of 2018, so we thought we’d end the year with a bang, literally. Earlier this year Matt had the chance to get behind an original Browning M1919A4 so we’ve put together a video showing the classic belt-fed machine gun in action with some slow motion footage thrown in!

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Browning M1919A4 (Matthew Moss)

This M1919A4 was built in 1944 at GM’s Saginaw Steering Division plant, in Saginaw Michigan. It was one of nearly half a million M1919A4s built during World War Two. In the video Matt explains a little of the gun’s history and how it worked.

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M1919A4 with its feed cover open (Matthew Moss)

This M1919 has been rechambered from the original .30-06 to 7.62x51mm NATO and uses M13 disintegrating links rather than a cloth belt or M1 disintegrating links. My thanks to Chuck and his buddy over at GunLab for letting me put several belts through his gun, it was a lot of fun.

We’ll have a full, in-depth, episode on the Browning M1919 in the future.


Thanks to everyone for watching, liking, subscribing and commenting on our videos this year, we can’t tell you how much we appreciate all the support we have received. I’m very pleased to say we reached 3,000 subscribers before the end of the year, very pleased that our community is growing! We have much more to come in 2019, and we’ll be back with regular videos in January.