It’s been a while since we did a book review so let’s take a look at the latest Vickers Guide. The latest edition of the successful +P+ coffee table series examines the pistols and submachine guns of SIG Sauer and its predecessors.
Compiled by Leonardo Antaris (a noted author on Spanish Astra pistols), Larry Vickers and Ian McCollum with photography from James Rupely the book looks at every pistol made by the company from its earliest origins through to the P320 and P365. One of the special elements of the book is that we get to see the iterative development of weapons like the legendary P210, the P220, P365 and the MPX.
For me the highlights are the seldom seen prototypes for projects that never came to fruition like the MP320 submachine gun. I believe there will be a volume 2 in the future looking at the various rifles and machine guns that SIG and SIG Sauer have developed over the years.
As with the other Vickers Guide books they are weighty, beautifully illustrated and while they don’t offer an in-depth level of detail they give us a look at some developmental prototypes and rare models which we wouldn’t otherwise see documented. I love the photography and layout of these books, they show angles and detail that – unless you’re handling the weapons – you’d never otherwise see.
Join us as we discuss a modern adaptation of R.C. Sherriff’s classic First World War play ‘Journey’s End’. The 2018 adaptation stars Asa Butterfield, Sam Claflin, Paul Bettany, Stephen Graham, Tom Sturridge and Toby Jones.
We’re lucky enough to be joined by a very special guest, Taff Gillingham historical advisor and co-director of Khaki Devil, who was instrumental in giving the film its impressive authenticity. The film follows a group of British officers in the days before German Spring 1918 Offensive!
In this video we’ll be launching a brand new series where we’ll look at period small arms and light weapons manuals and other ephemera like infantry tactics handbooks and recognition guides.
This month marks the 30th anniversary of what the British Army called Operation Granby, better known as Desert Storm or the Gulf War. So I thought taking a look at a Recognition Guide to Iraqi Ground Forces issued during Granby would be a good place to start!
Britain deployed more than 53,000 personnel during the operation, which began in August 1990, just after the invasion of Kuwait, with the arrival of 2 squadrons of Tornados in theatre. The first ground forces, elements from 7 Armoured Brigade began arriving in October. With no ready reaction force a division strength force was cobbled together from units deployed in Germany and the UK. Huge logistical constraints were overcome to provide a full armoured division, consisting of two brigades, for the liberation of Kuwait.
During the ground phase of the operation (Operation Desert Sabre), which began on 24th February 1991, British armoured and mechanised forces, part of VII Corps, provided the left-hook of the allied assault. The division’s two armoured brigades leapfrogging one another quickly taking successive objectives and sweeping west through occupied Kuwait, towards the Gulf Sea, neutralising Iraqi positions with relative ease. During less than 100 hours of ground combat British forces travelled 180 miles and destroyed approximately 300 Iraqi vehicles while allied forces as a whole captured an estimated 80,000 Iraqi troops. A total of 47 British troops were killed during Granby. A ceasefire was declared on 28 February with Iraqi forces collapsed and Kuwait liberated.
The guide was compiled by the Recognition Materials Cell at the Joint Air Reconnaissance Intelligence Centre (or JARIC). Formed in 1953, from the Central Interpretation Unit and based at RAF Brampton from 1957 to 2013, JARIC was the UK’s strategic imagery intelligence provider – providing analysis of aerial and later satellite photography or enemy assets.
With war with Iraq looking imminent and substantial British forces deployed from the UK and Germany, JARIC were tasked with putting together a recognition guide covering Iraqi and Kuwaiti ground assets captured by Iraq during the invasion of Kuwait.
This included everything from main battle tanks, reconnaissance vehicles and armoured personnel carriers to self-propelled artillery, mortars, artillery and multi-barrelled rocket launchers. It also included anti-tank missiles, surface to air missile systems and anti-aircraft assets as well as engineering equipment. All of which might be encountered during upcoming operations to liberate Kuwait. Let’s take a look.
The guide sadly doesn’t have a scale of issue list so it’s difficult to know how many were printed or which units received them. But the first page does give us some indication of the material’s sources – noting they are from unclassified and restricted sources – giving the book a restricted classification overall.
Join us for as we examine the Carol Reed-directed 1944 British classic ‘The Way Ahead’ starring David Niven, Stanley Holloway, William Hartnell, Peter Ustinov and John Laurie. We’re joined by special guest Richard Fisher, of the Vickers MG Collection and Research Association, who picked the film partly due to it’s iconic scene featuring a Vickers Gun! The film follows a platoon of men through their call up, training and up to their first experience of battle!
You can watch ‘The New Lot’ (1943) on the IWM’s site here.
Join us for something a little bit different this week as we discuss some listener pitches of war movies they’d like to see made! We share our own ideas and look at what you guys suggested recently over on twitter.
We have examined several on screen appearances of the PIAT previously, in this article we will look at a scene from the 2014 Polish movie, MIASTO 44 or City 44/Warsaw 44. The film follows a group of young members of the Home Army during the Warsaw Uprising.
In the scene we’re going to analyse today a Home Army squad are in a defensive position on the first story of an apartment building when a German Goliath remote controlled mine approaches their position. They immediately open fire on the Goliath with small arms, some rifles, a couple of submachine guns including a Sten, a PPSh-41 and an MP40 as well as a captured MG-42. While they’re pretty well armed, they’re low on ammo.
With the small arms fire ineffectual the squad leader calls for the PIAT. The Home Army had an estimated 70 PIATs at the start of the uprising. The British Projector, Infantry, Anti-Tank was the Pole’s primary infantry anti-tank weapon. By the 12th September the allies had managed to drop more PIATs bringing the number available to around 250.
What’s so special about this scene is that it depicts the cocking of the PIAT! As the others open fire the PIAT number one can be seen rotating the outer casing to unlock it and then pulling it up until the spring inside is cocked. He then lowers the casing and locks it ready to fire. We don’t see it but the No.2 has loaded a bomb into the bomb support tray and the No.1 places the monopod on the sandbags and takes aim.
So not only do we have photographs of the PIAT in use at Warsaw we also have some good accounts of its use, one from Zbigniew ‘Deivir’ Czajkowski, a corporal and patrol leader with the Home Army’s ‘Parasol’ scout battalion describes using a PIAT against a German tank during street fighting. Czajkowski describes how the man about to fire the PIAT had forgotten to prime the bomb, he then describes firing on the tank below their position:
“I press the heavy weapon into my shoulder. The tank is in front of me, as if on a plate. I can see the enormous armour plating and the smoke coming from its muzzle. I set my sights. Slowly… carefully… The tank fires, below us again. I aim just behind the turret. There! I squeeze the trigger. The PIAT recoils, the round flies through the air… nearly there… It misses the tank and explodes to the rear of it. “Fuck!” Now my colleague tears the PIAT out of my hands. I don’t stop him. I load a new round. Two more shots from the tank. Presumably they haven’t noticed us. Suddenly it dawns on me – we’re on the second floor! “Aim lower, much lower, under the tracks. We’re too high up here.” The barrel of the PIAT tilts down. I’m oblivious to everything glued to the gap in the wall. The weapon barks. There’s a flash of light against the side of the tank. Got him! The tank is momentarily covered in smoke.”
While not a tank, the Goliath seen in the film, were used during the fighting in Warsaw. The Goliaths were armoured, remote controlled bombs could be steered from cover. These tracked mines could deliver a 60 to 100kg payload of high explosive. Enough to destroy positions and heavily damage buildings. A pair of Goliaths are also seen in the earlier Polish film on the uprising – 1957’s Kanal – which also features a PIAT, albeit a wooden mock-up, which takes on a German tank.
In Warsaw 44 the PIAT No.1 manages to land his bomb just in front of the approaching Goliath, the blast apparently is enough to break one of the mine’s tracks – perhaps shrapnel or debris struck it. The victory is short-lived, however, and the Polish position is raked by machine gun fire – killing the PIAT No.1 – and a full German assault follows.
The film’s depiction of the PIAT is quite good, although the PIAT appears to be cocked very easily. The weapon’s recoil seems a little light but is represented with the No.1 being sharply pushed back. There is a short flash as the remains of the bomb’s propellent cartridge are seen as the bomb leaves the spigot. We can also see that the spigot is still visible in the bomb tray, meaning the weapon has not re-cocked itself.
The PIAT gave the besieged soldiers of the Home Army a much-needed weapon capable of taking on enemy armoured vehicles. But a few dozen PIATs weren’t enough to turn the tide and the valiant Poles were forces to surrender after two months hard fighting. The film, Warsaw 44, gives a pretty immersive idea of what the fighting in the city might have been like and is worth checking out.
Miasto 44 (2014) Warsaw 1944: An Insurgent’s Journal of the Uprising, Z. Czajkowski, (2013)
Join us as we take a special look at not one but two films – both looking at the ill-fated SAS mission – Bravo Two Zero. Gulf War films are rare and with the 30th Anniversary of the war upon us we thought it was a good time to take a look at ‘The One That Got Away’ (1996) and ‘Bravo Two Zero’ (1999).
Join us, on the 53rd anniversary of the week the Tet Offensive began, as we take a look at 1989’s ‘The Siege of Firebase Gloria’ starring R. Lee Ermey, Wings Hauser & Albert Popwell. Directed Brian Trenchard-Smith its a Vietnam last stand movie that riffs on its predecessors.
Join us as we look at 1943’s ‘Bataan’ starring Robert Taylor, Robert Walker, Lloyd Nolan, Kenneth Spencer and Desi Arnaz. Directed by Tay Garnett, it’s one of the few films to look at the brutal Battle of Bataan. It’s a classic last stand movie and incorporates elements from the battle which saw some of its hardest fighting 79 years ago this month.
While doing some archival digging I found some interested newsreel footage of early Cold War British missiles. The footage features the Malkara anti-tank missile and the Thunderbird surface-to-air missile.
The Malkara was developed in the early 1950s. It was a wire-guided anti-tank weapon with a 57lb HESH warhead. It had a range of up to 2.5 miles. In the footage we see it guided through a hole in a target net.
The Malkara was mounted on a number of platforms and vehicles and remained in service into the mid-1960s. It’s bulk and weight saw it eventually replaced by the smaller Vickers Vigilant and the Swingfire.
The second missile featured in the newsreel is the English Electric Thunderbird, a British Army SAM with a 75km range and a speed of Mach 2.7. The Thunderbird was replaced by the Rapier in the 70s, which is still in service today.
Hope you enjoyed seeing some of these British cold war missiles in action, it’s amazing what you find in archives when you aren’t looking for it!
Footage Source: Universal Newsreel Volume 30, 1957, via US National Archives, (source) Anti-Tank Weapons, T. Gander, (2000)