Late last summer we visited the Anglesey Transport Museum in North Wales. They had a great collection of classic and vintage cars and bikes and most interestingly they had a little collection of British military vehicles.
They had a number of trucks and special purpose vehicles from the Royal Engineers, REME and RLC and even a Green Goddess Fire Engine. They also had a couple of pretty cool Cold War British Army armoured personnel carriers.
The Saracen was a six-wheeled armoured personnel carrier (APC) built by Alvis. It entered service in 1952 and was used extensively in Malaya and Northern Ireland. The Saracen could carry an 8 man section along with its 2 man crew. It had a 160HP Rolls Royce engine and depending on when during its service life its turret could be mounted with a .30 calibre M1919A4 or an L37 vehicle-mounted general purpose machine gun.
Another APC which was in service alongside the Saracen, the ‘Truck, Armoured, 1 Ton, 4×4’, better known as the Humber Pig. Based on a truck chassis, it had a 120HP 6 cylinder engine and room for 6 men on the benches in the back. It could be mounted with an L4 Bren gun. It saw extensive use in Northern Ireland during operation Banner and was in service from 1956 through to the early 90s.
Daimler Ferret Mk1 Scout Car
Next to the Pig in the collection was a Mk1 Daimler Ferret scout car. Fitted out with an M1919A4 and six forward-firing grenade launchers – for smoke grenades. The later Mk2 had a turret but the Mk1 made use of its low profile. This one has its canvas cover over the fighting compartment. The 4×4 Ferret was powered by a 130HP Rolls Royce B60 straight six. Perfect little run-around to do the shopping in.
On the top of the hull is the pintle mounted Browning M1919A4 machine gun. This would have been operated by the Ferret’s commander. We can see the mount allows it to be aimed and fired from somewhat inside the hull. The Ferret entered service in the early 1950s and remained in use into the late 1980s/early 1990s. Just short of 4,500 Ferrets were manufactured.
Bofors QF 40mm Mk1
At the centre of the military vehicle collection was a QF 40mm Mk1, better known as a Bofors. Both land and naval versions of the Bofors were used during the Second World War and after. Capable of firing 120 40mm shells per minute, it was normally manned by a four man crew. It filled the British army’s light Anti-Aircraft gun role and remained in service well into the 1980s.
We can see the gun’s huge recoil spring and to the rear of the gun is a case deflector which connected with a trough which channels the spent cases down below the gun. The gun still has most of its controls and traverse and elevation crank handles in place. On top of the gun are the huge guides for the four-round clips of 40mm shells.
In another special episode of Fighting On Film we chat with director Stuart Urban and some of the cast (Hugh Ross & Ian McNeice) of the 1992 BAFTA-winning film ‘An Ungentlemanly Act‘. A unique war movie which looks at the first 36 hours of the Falklands War and the battle to defend the island from Argentine invasion.
With so few war movies made about the Falklands War by both sides this film is especially interesting. It was fascinating to hear about the writer/director’s first hand research and about what it was like to film on location in the Falklands just a decade after the war.
In the UK we’ve gone into another COVID-19 induced lockdown, so why not put out another episode of the Fighting On Film! In this first episode of a new additional format ‘Show & Tell’ we talk about a couple of war movies we watched recently and see if you guys think we should cover them in a full episode. We discuss a new Latvian film ‘The Rifleman’ and a British 50’s movie featuring a young Richard Attenborough – ‘Sea of Sand/Desert Patrol’.
In this special New Year episode of the Fighting On Film war movie podcast we are joined by historian Peter Caddick-Adams to discuss the cult-classic ‘Kelly’s Heroes’. The film follows a platoon of US soldiers who penetrate deep behind enemy lines to steel enemy gold! Directed by Brian G. Hutton and staring Clint Eastwood, Telly Savalas and Donald Sutherland.
Over the past year we’ve looked at a number of John Moses Browning’s lesser known rifle prototypes. Each offers something innovative, a detachable box magazine, a slide action and an en bloc loading system. These prototype rifles are unique and likely the only ones of their type in existence. The prototypes were originally sold to the Winchester Repeating Arms Company, but like many of the arms Browning sold to the company they never went into production.
Winchester bought the designs from Browning simply to prevent their competitors from getting their hands on them – as a result they are largely forgotten. The rifles became part of the Winchester factory collection and today they are all held at the Cody Firearms Museum at the Buffalo Bill Center of the West – we appreciate their assistance and kindness in allowing us to examine them.
In 1891, Browning designed a new rifle that fed not from a tube magazine but from a detachable box magazine. Box magazines were a relatively new concept with James Paris Lee leading the field. This one-of-a-kind Browning toolroom prototype uses the same locking mechanism as the Winchester 1886 and is in ‘musket’ configuration.
This fascinating rare prototype uses a conventional lever-action but departs from Browning’s earlier designs for Winchester. Instead it feeds from a 5-round en bloc clip rather than a tube magazine. The rifle is in a military – ‘musket’ configuration suggesting it was designed for the military market.
This final design was patented in 1895, it uses a slide action and like the other designs was purchased by Winchester but never manufactured. Instead, Winchester went with the iconic lever-action Model 1895. This rifle has an integral box magazine which was loaded from below.
In this special episode of the Fighting On Film war movie podcast we are joined by Paul Woodadge of @WW2TV to discuss the cult-classic ‘The Wild Geese’. A film which follows a group of double-crossed mercenaries trying to escape after their mission is compromised. Directed by Andrew V. McLaglen, it has a stellar cast including Richard Burton, Richard Harris, Hardy Kruger, Roger Moore and Stewart Granger. As well as Jack Watson, Winston Ntshona, Kenneth Griffith and John Kani.
By 1895 Winchester had been considering a slide-action rifle for some time, in 1882 William Mason had begun work on one (US Patent #278987) to counter Colt’s slide-action Lightning only to drop it. Finally in 1890, Winchester introduced a slide-action .22 calibre rifle developed by John Browning. The Model 1890 became extremely popular.
Between 1887 and 1895 Browning patented four slide-action rifle designs. The first of these, US patent #367336, was granted in July 1887, this was followed in 1888 by US patent #385238. In September 1890, the Browning brothers were granted US patent #436965, which along with the previous 1888 patent protected what became the Model 1890. Three years later Winchester introduced the Model 1893 pump action shotgun, that would eventually evolve into the famous Winchester Model 1897.
Finally, April 1895, Browning filed a patent for a design for a .30 calibre rifle which was granted in September 1895 (US patent #545672) This patent covers the rifle we’re examining here. The rifle itself is a slide or pump action in long barrelled configuration which Winchester described as a ‘Musket’.
The September 1895 slide-action design was purchased by Winchester but like so many other Browning designs, it never entered production and Winchester purchased the design purely to secure it and prevent other rival manufacturers picking it up. Winchester instead went with a lever-action design, patented in November 1895 (US #549345), which became the famous Winchester Model 1895.
The September 1895 slide or pump-action rifle design had a laterally camming locking breechblock. As we can see, externally Browning’s toolroom prototype looks somewhat similar to the contemporary Winchester Model 1895, with a single-stack integrated box magazine but with a pump sleeve rather than a lever.
An action-bar connects the slide/pump to the front of the breechblock/bolt carrieron the right-hand side of the rifle. The slide handle itself is made of a U-shaped piece of metal which wraps around the rifle’s forend. The slide has been roughly cross hatched to improve grip. There is a channel cut into the furniture for the action arm’s attachment point to travel. The slide is attached to the arm by a pair of screws.
However, Browning developed this prototype to allow loading of the magazine from below rather than through the top of the receiver. He added a hinged floor plate, with a spring loaded follower, that allowed loose rounds to be dropped into the magazine and then closed.
As we open the magazine, hinging the cover plate down, we see the carrier flip down against the plate to allow loading. The rifle was designed to be loaded from below with the bolt forward.
In the patent description Browning explained that his aim was to improve breech-loading box-magazine firearms by designing:
“…a simple, compact, strong, highly effective, and safe gun, containing comparatively few parts and constructed with particular reference to provision for charging the box-magazine with cartridges from the bottom of the frame of the arm while the breech-bolt is in its closed position, so that the arm may be charged without operating its action mechanism or disturbing the cartridge in the gun-barrel, if one is there.”
From the original patent drawings we can see the flat spring which acted on the carrier running below the barrel, ahead of the magazine. Inside the magazine are a pair of what Browning refers to as ‘spring fingers’ these act on the cartridges inside the magazine and keep them properly aligned, seen here in Fig.7 of the patent. In Fig.8 we can see what Browning calls a ‘box-like guideway’ which guide the rims of the cartridges, “preventing the cartridges from being displaced while being fed upwards.”
The rifle’s breechblock locked into a recess in the left side of the receiver, tilting at an angle with the rear of the breechblock canting to the left. When the pump handle was pulled rearwards the breechblock cammed laterally to unlock the action, extracted and ejected any spent casing and when the slide/pump was returned forward a new cartridge was picked up from the magazine, chambered the breechblock locked again ready to fire. The rifle’s hammer was cocked by the rearward movement of the breechblock.
Externally, the slide-action’s receiver looks similar to that of the production Model 1895 but internally they are very different. The action is certainly less open than the Model 1895’s but the lateral locking mechanism is less robust. Additionally, with no lever, as in the Model 1895, the slide-action rifle lacks the safety mechanism which prevents the action from opening accidentally.
The model is in the white and while externally the machining and tool work is very neat, inside the action we can see where the cuts in the receiver wall have been more crudely made. In terms of design, the slide-action prototype was certainly simpler and had fewer working parts than the Model 1895 lever-action.
Winchester purchased the .30 calibre slide-action design but never produced it, it is believed that only Browning’s prototype was built to prove the concept. The prototype was part of Winchester’s collection and may now be found at the Cody Firearms Museum.
In this episode of the Fighting On Film war movie podcast we discuss the Oscar-winning 1949 classic ‘Battleground’. It follows a platoon of the 101st Airborne besieged within Bastogne. Directed by William A. Wellman and staring Van Johnson, Ricardo Montalban, James Whitmore and George Murphy. It cleverly captures the cold confines of the Ardennes and the hardships the men at Bastogne faced.
Following on from our earlier look at the PIAT scenes from A Bridge Too Far and Theirs Is The Glory in this video we’ll take a look at ‘The Unbroken Line’, a short British Army film, made in 1985. It tells the story of the British Army’s 300 year history with depictions of the battles of Blenheim, Waterloo and Operation Overlord – as well as a depiction of what fighting against a Soviet invasion in 1985 might have looked like.
In this short video we’ll look at one of the interesting scenes that features a PIAT in action! The PIAT goes up against a Jagdpanzer 38 tank destroyer. Set in Normandy after the D-Day Landings we see a section from the Dorset Regiment. When the German Jagdpanzer crashes through the wall the section commander shouts ‘PIAT’, calling on the PIAT team to move up and engage the tank destroyer. The PIAT No.1 take up position and manages to knock out the Jagdpanzer but sadly he’s then the victim of a German grenade. The Dorsets then storm the ruins and capture the defenders and the tank destroyer crew.
In this episode of the Fighting On Film war movie podcast we discuss that questionable classic from 1965 – ‘The Battle of the Bulge’. We unpack why this epic 3-hour war movie fails to do the story of the actual battle justice despite a decent cast that includes Henry Fonda, Robert Shaw, Telly Savalas, Charles Bronson & Robert Ryan.