This is the first instalment of what will hopefully become a regular feature where we discuss some of the books we use when researching the guns we feature in our videos. We’ll give an overview of what the books cover, how they approach subjects and how good a resource they are.
With Vic’s recent special episode on the AR-10, I’ve been using Joseph Putnam Evans’ book ‘The ArmaLite AR-10: The World’s Best Battle Rifle‘ to help write the accompanying blog posts. While not without its flaws Evans’ book is without doubt the best published source on the AR-10 currently available.
For many years the published material on the AR-10 was confined to both contemporary gun magazine articles on the ‘new’ rifle and a handful of retrospective articles published later. Very little was written about their surprisingly extensive combat use or even the nuances of the design changes. Even the Black Rifle books, also published by Collector Grade, lacked the context of where the AR-15 evolved from. ArmaLite AR-10 is well worth reading, and a great base for further research.
Vic brings us the second part of his special episode looking at the story of the AR-10, with a very unique run down of various variants of Eugene Stoner’s weapon. Vic runs us through every production model made by Artillerie Inrichtingen as well as several special prototypes and transitional models.
After a recap look at an example of a Hollywood-made rifle Vic shows us how the AR-10 worked using an instructional cutaway model. Throughout the video Vic examines all of the major production guns, beginning with an early A.I. production gun that incorporates the same ‘beer can’ muzzle device as the original American-made rifles. Vic then takes us through a series of rifles that represent the evolution of the design.
Beginning with the Cuban model, with its pencil profile barrel and top mounted gas tube. This model was also trailed by both the Dutch Army and the German Bundeswehr. Later in the video Vic gives us a quick look at the various German trials rifles the FAL (G1), the SIG 510-1 (G2), the H&K/CETME (G3) and the AR-10 (G4).
Vic follows the Cuban model with a look at the Sudanese Model, with its bayonet lug sleeve, and the Guatemalan variant which swaps out the bayonet lug for rifle grenade launching capability. The Sudanese military ordered 2,508 rifles from A.I.
In addition to these Vic also gives us a look at an extremely rare prototype carbine, a sporter model (the AR-102) and a prototype squad automatic weapon with a heavier profile barrel. Vic then takes us through the features of the final A.I.-made variant, the Portuguese or NATO model. The rifle was officially adopted by the Portuguese army’s Caçadores Páraquedistas (paratroops) and saw action in Angola, Portuguese Guinea and Mozambique.
Vic then takes a look at a series of rare variants and one-offs, including a rifle with green furniture made for Prince Bernhard, the Royal consort to Queen Juliana of the Netherlands, and a heavy barrelled magazine-fed squad automatic rifle with a rubber butt-pad and additional folding carrying handle.
To round out the story of Artillerie Inrichtingen’s involvement with the AR-10, Vic is lucky enough to take a close look at an M1 Garand adapted to feed from surplus AR-10 aluminium waffle magazines. This concept was developed to equip the NATRES, the Dutch Army Reserve, and was based somewhat on the Italian Beretta BM-59. Vic shows us both a very early prototype BM-59 and one of only two A.I. Garand adaptation prototypes.
During our first research trip last spring I had the opportunity to examine an unusual ‘hybrid’ Sten submachine gun. The weapon combined a MkII Sten’s receiver with a MkIII’s magazine housing. Added to this was a proprietary folding stock and a new fire control group and pistol grip.
Very little is known about the hybrid Sten with Peter Laidler’s book The Sten Machine Carbine mentioning it and the later Osprey book by Leroy Thompson sharing a photograph and brief caption which calls it an “experimental version of the Mk III.” It is also unclear exactly when it was built.
Below are some photographs I took of the Sten, lets look at some of the interesting features of the Hybrid Sten.
No production Variant of the Sten was fitted with an under-folding stock, the Australian Austen, however, directly copied the MP38/40. The entire weapon is covered by a layer of textured, crackle paint finish, this was commonly used on commercial Sterling Mk4 submachine guns. The weapon has a short, 3.5 inch, perforated fore-end welded onto the front of the tube receiver that appears to be from a Lanchester.
The under folding stock is rudimentary but effective, the butt plate swivels free but the lock up is quite secure. It uses the receiver main spring-loaded return-spring cap. The folding stock attaches to the pistol grip assembly (which can be seen detached below).
The proprietary rectangular trigger group housing brazed onto the tub receiver is unlike any other Sten and lacks a fire-selector.
The pistol grip itself is made from paxoline, a form of early resin plastic. The shape shape of the pistol grip does not resemble any production or prototype Sten grip. A simple hand-stop, made from a bent piece of sheet metal, has also been added in front of the weapon’s ejection port to prevent the user’s hand moving back and fingers being caught if gripped by the forend.
While the origins of the hybrid Sten remain unclear I don’t believe it was an officially made prototype. While impressive it is relatively crudely assembled and does not match the Sten prototypes made by Enfield, such as the VI. Intriguingly, the magazine housing of the weapon has been stamped ‘PILOT’ below the usual ‘STEN MkIII’ stamp. I suspect that the weapon may have been put together by a unit armourer, perhaps authorised by a superior officer to suggest improvements or as an unofficial project gun.
In the first part of Vic’s special episode on the AR-10 we brought you a remastered version of the fascinating 1958 ArmaLite/Fairchild promotional sales film made for ArmaLite salesmen, like Sam Cummings and Jacques Michault, to show to prospective buyers of the new rifle. Back in the 1990s Vic was lucky enough to scan Michault’s copy the film and has recently remastered with better image quality.
Below you can find the video, time stamped to begin at the promotional film (although I highly recommend you watch the entire video for Vic’s introduction to the early history of the AR-10).
Lets break the video down, with the help of some screen captures. The film opens with a rifleman emerging from the sea, firing as he advances. The film then explains Fairchild’s background and beings to explain the features of the rifle.
The film then shows several shots of the rifle’s lower receiver being milled.
None other than the rifle’s designer himself, Eugene Stoner, then takes an AR-10 from a wall display and proceeds to completely disassemble it.
Stoner completely strips the rifle, its muzzle device and its magazine before Charles Dorchester, ArmaLite’s production manager, demonstrating the rifle’s operation and subjects it to sub-zero temperatures and once again firing the rifle.
Chuck Dorchester submerges he rifle in what appears to be liquid nitrogen
Dorchester again test fires the rifle
The film then shows the rifle being used in a variety of roles:
Stoner then covers the rifle with sand before running five magazines through the rifle in quick succession to demonstrate reliability:
The rifle is then submerged in mud (with its dust cover closed) and demonstrated again.
The film then shows how simple field stripping and cleaning is before Stoner demonstrates the belt-fed variant of the rifle:
Don’t forget to check out the full episode and the accompanying blog here!
In this first part of a TAB special episode examining the history of the ArmaLite AR-10 Vic discusses the early origins, history and development of the now legendary 7.62x51mm rifle. At the heart of this episode is a remastered version (certainly the best currently available online) of the c.1958 ArmaLite/Fairchild promotional film that features Eugene Stoner and shows many of the early ‘Hollywood’ Armalites in action! The first part of this special documentary concludes with Vic examining a Hollywood-made AR-10B (the last iteration of the US-made AR-10s).
Much has been written about the AR-10, Eugene Stoner and the genesis of the AR-15’s parent rifle. It’s a design which owes much to many: Stoner, George Sullivan, Melvin Johnson and later the engineers at Artillerie Inrichtingen.
ArmaLite, formed by George Sullivan with the help of Richard Boutelle, President of the Fairchild Engine and Aircraft Corporation, began work on the first AR-10 prototypes in 1955. Designed by Eugene Stoner, using his patented direct gas impingement system. Stoner patented this system in 1956, with the patent being granted in September 1960 (US #2,951,424).
The AR-10 had an aluminium-alloy forged receiver, an in-line stock, polymer furniture and chrome-lined steel parts. While conventional steel barrels were the norm an ill-fated attempt to use an aluminium/steel composite barrel during US Army evaluations proved disastrous when the steel inner parted from the aluminium outer and caused the barrel to burst. As a result of these weight saving efforts the rifle weighed just ~3.4kgs/7.5lbs unloaded. The Armalite AR-10 had a side mounted gas tube, a top mounted charging handle and fed from 20-round box magazines. One of the most interesting features was the large aluminium muzzle device, fitted to some ArmaLite-made Rifles, which reduced sound and flash.
In 1957, ArmaLite sold the AR-10 manufacturing rights to the Dutch small arms manufacturer Artillerie Inrichtingen, while US manufacture was licensed by Colt in February 1959. With minimal financial returns Fairchild sold their interests in ArmaLite in 1962.
Featured in the first part of Vic’s special episode on the AR-10 is an original Armalite/Fairchild promotional film, originally filmed in 16mm, that dates from around 1958. While a version of this film has been shared online for a number of years it is grainy, washed out and of relatively low audio quality. Vic reproduced the very rare promotional sales film in the 1990s onto VHS (a process he explains in the video). He has managed to take an original VHS copy and digitally remaster it to regain some of the original’s clarity and detail.
The promotional film was originally used by salesmen to showcase the AR-10 to potential clients and features Hollywood-produced guns. Both Stoner and Charles Dorchester (ArmaLite’s production manager) are seen in the film demonstrating the AR-10. The rifle’s action, function and controls are explained and various variants, including rifle and light machine gun, are demonstrated. The demonstration segment included a sub-zero test, covering in sand and much and Stoner himself dumping 5 magazine’s through the rifle in quick succession. The promotional film concluded with demonstrations of firing rifle grenades and a belt-fed AR-10.
Vic concludes the first part of the AR-10 overview episode with an examination of an AR-10B rifle held by the Netherlands’ Nationaal Militair Museum. In the second part of the episode Vic will look at nearly a dozen AR-10 variants made by Artillerie Inrichtingen (A.I.) between 1957 and 1961.
Earlier this week we posted our 10th episode, on the HK53, I thought this would be a good point to recap on our first 10 videos. We’ve reached over 560 subscribers and had nearly 15,000 views over on YouTube. We couldn’t be happier with the response we’ve had so thank you all for watching and reading. We’ll have new episodes up soon and will hopefully be filming more in the new year!
In the meantime here’s a recap of everything we’ve covered so far from 18th century breech-loaders to 20th century caseless assault rifles!
Here’s our very first video, with Vic and I introducing the project and explaining what we hope to accomplish!
Our first proper episode covered the unusual WWII British Besal Light Machine Gun.
The Durs Egg-made Crespi Breechloader with its long spear point bayonet was a personal favourite.
Vic took a look at the X11E4 ‘Belt-fed Bren’ in our 4th episode.
The extremely rare Maxim-Tokarev Light Machine Gun.
Australia’s other WWII submachine gun, the Austen.
In Episode 7 I took a look at the US M45 .50 cal Quadmount
Vic took a look at not one but two Heckler & Koch G11s in Episode 8!
I took a look at the Chilean prototype FAMAE PAF submachine gun in Episode 9.
Finally, in Episode 10 I took a quick look at the handy Heckler & Koch HK53 carbine
Thanks for watching, reading, subscribing and commenting on the videos we’ve posted so far. It means a lot to us that so many people have enjoyed our content so far and we look forward to sharing much, much more with you!
In 1968 Heckler & Koch launched the HK33, chambered in 5.56x45mm, to compete with Colt’s AR-15/M16. The HK33, and later HK53, used the same roller-delayed blowback action developed for the G3 in the mid 1950s. However, few major contracts were forthcoming with the German military opting to continue using the 7.62x51mm G3.
Due to the modularity of the HK33′s design users could replace the butt of the standard rifle with a collapsible telescopic metal stock. H&K also subsequently designed a carbine version of the full-length HK33, the HK33K with a telescopic metal stock and 12.7 inch barrel. In the mid-1970s H&K began development an even shorter version. The result was essentially an intermediate calibre submachine gun similar to the Colt Commando and the Soviet AKS-74U. H&K designated this new weapon the HK53, it used the same telescopic stock as the HK33K and MP5 and a cut down 11 inch barrel, the HK53 also utilised a polymer forearm similar to the MP5s.
Like the HK33, the HK53 fed from 25, 30 or 40 round box magazines. The weapon weighed just over 3kg (7lb), almost a 1 kg less than its parent rifle the HK33. Unlike the HK33, the HK53 has a four prong flash hider. A number of police forces and militaries adopted the HK53 for a variety of roles. Special forces units around the world including the British SAS, Royal Military Police Close Protection Unit and Royal Marines, designated the L101A1 in British service, who typically used it during close protection duties and operations involving close quarter battle.
As shown in various MoD Equipment Failure Reports dating from the early 1990s the HK53’s in British service suffered from repeated damage and failure of the carbines’ locking rollers. This issue arose when using a number of different ammunition types including brass cased blank ammunition (H&K recommend the use of their proprietary blank cartridges). Following a meeting between the Army Technical Support Agency’s Directorate of Engineering and H&K a new design for the locking pieces were developed. These changes “increased the roll of blowback force during the unlocking phase… in turn this will reduce the mean energy of the recoiling mass of breech block and carrier” this was intended to reduce bolt bounce. The Royal Military Police Close Protection Unit’s L101A1’s were also fitted with a new two stage buffer within a fixed stock.
Due to its short length the HK53 also found itself pressed into the port-firing weapon role. Designated the HK53 MICV in this role the foregrip and stock was removed and a specially designed endcap and a spent case bag could be attachment. During its service life the HK53 went through a series of changes to furniture mouldings, buttstock types and fire selector options. It remained in production into the early 2000s, when Heckler & Koch replaced the HK33 and HK53 with the G36 and G36K.