Fighting On Film: The Forgotten Battle (2021)

We are zipping up our Denisons, checking our Rifle No.4s and climbing aboard our Horsa Glider for this week’s look at the brand new Dutch war film ‘The Forgotten Battle‘, directed by Matthijs van Heijningen Jr. it boasts the second largest budget ever for for a Dutch film at around €14 million. With a cast of British and Dutch actors ‘The Forgotten Battle’ is sett during the the Battle of the Scheldt in 1944.

The film is an ambitious attempt to combine three storylines into a film just over 2 hours long. Competently made with some decent performances and a real eye for Mise-en-scène and atmosphere. The Forgotten Battle attempts to cram in too much and largely forgets the ‘Forgotten Battle‘ of the title. While the film brings us three engaging and potentially fascinating story lines that tackle the moral choices that faced soldiers and civilians alike during war, however, there is not enough time or space for them to all develop and ‘The Forgotten Battle’ may have been better adapted as a limited series. We explore all this in this week’s episode!

The episode is also available on all other podcast platforms, you can find them here.

Here are some stills from the film:

If you enjoy the podcast then please check out our Patreon here. Be sure to follow Fighting On Film on Twitter @FightingOnFilm, on Facebook and don’t forget to check out www.fightingonfilm.com.

Thanks for listening!

The STEN in the Rhineland

Earlier this year I had the pleasure of filming some segments on small arms for the new documentary on the Rhineland Campaign – ‘Rhineland 45‘. Not all of the segments I filmed discussing weapons could be included in the finished documentary – I filmed quite a few – so I’m pleased to share a couple here. This video examines the various marks of STEN gun used during Operations Veritable and Varsity. This video was filmed at the Vickers MG Collection and Research Association.

The Sten MkIV (Robbie McGuire)

Check out the first video of this series on the use of the PIAT here and our video on the Panzerfaust & Panzerschreck in the Rhineland here.


If you enjoyed this video and article please consider supporting our work here. We have some great perks available for Patreon Supporters. Thank you for your support!

Fighting On Film: Yangtse Incident (1957)

In this week’s episode we join Richard Todd and crew besieged on China’s Yangtse River as we examine 1957’s Yangtse Incident: The Story of H.M.S. Amethyst. Based on real events during the Chinese Civil War the film, directed by Michael Anderson, calls on a strong cast including William Hartnell, Akim Tamiroff, Donald Houston, Ian Bannen and a young Bernard Cribbins.

The episode is also available on all other podcast platforms, you can find them here.

Here are some stills from the film:

If you enjoy the podcast then please check out our Patreon here. Be sure to follow Fighting On Film on Twitter @FightingOnFilm, on Facebook and don’t forget to check out www.fightingonfilm.com.

Thanks for listening!

Royal Navy Beachhead Commando Reenactors

A few weeks ago at the We Have Ways podcast’s history festival (WarFest) I had a chance to chat with the chaps from the Royal Navy Beachhead Commando Reenactors, a group portraying a unique Second World War British Commando unit. And I got to have a paddle in a Mk1** canoe!

The Royal Navy Commandos were tasked with reconiotring the beaches before landings and once the landing began they were first onto the beach. The Royal Navy Commando beachhead parties and beachmasters would then direct the landing of troops and materials.

Below are a few photos from the groups camp and of the Mk1** Commando canoes used by the SBS and Combined Operations Pilotage Parties (COPP):

Find out more about the group at www.rnbcr.co.uk


If you enjoyed this video and article please consider supporting our work here. We have some great perks available for Patreon Supporters. You can pick up a ‘Bring Up The PIAT’ shirt here. Thank you for your support!

Fighting On Film: Early Great War Films

We are joined this week by Andy Moody, who is currently undertaking his Masters degree exploring popular cinema depictions of the Great War to talk about Great War films made between the wars. We enjoyed an in-depth discussion of a range of early films made during the interwar period, including: Ypres (1925), Mons (1926), Big Parade (1925) and Journey’s End (1930).

The episode is also available on all other podcast platforms, you can find them here.

Here are some stills from the film:

If you enjoy the podcast then please check out our Patreon here. Be sure to follow Fighting On Film on Twitter @FightingOnFilm, on Facebook and don’t forget to check out www.fightingonfilm.com.

Thanks for listening!

Siege of Jadotville & The Sniper Bren – Is The Bren More Accurate?

If you’re familiar with the film Siege of Jadotville you will remember a scene in which the Irish company’s sniper takes on a long range shot… with a Bren. The sniper exchanges his Rifle No.4(T) for a Bren (MkII – in reality, according to contemporary photographs of Irish troops in the Congo, it would have been a MkIII) and single loads a round with the magazine removed.

Following discussion of how plausible this scene is during an episode of the Fighting on Film podcast we teamed up with Richard Fisher, of the Vickers MG Collection and Research Association, to test out the plausibility of the scene. In the film the sniper is seen to be highly proficient with his Rifle No.4(T), barely missing a shot. When tasked with shooting a target which appears to be approximately 400 yards away he sets down his No.4(T), with its No.32 3.5X telescopic sight, and takes a Bren, sets the sights, loads a single cartridge into the breech and takes the shot. The shot strikes and kills the target, a man in a white suit who was directing an attack on the Irish/UN positions.

This scene raises a number of questions:

  • Why does the sniper do this?
  • Is the Bren more accurate than a Rifle No.4(T)?
  • Can you easily single-load a Bren?
At the range, behind a Bren MkI with a MkIII barrel (Rich Fisher)

The video above explains our methodology for trying to answer some of these questions. We gathered a group of shooters to fire both a Rifle No.4(T) and a Bren MkIII (in our case a MkI Bren fitted with the shorter barrel of a MkIII). The shooters come from a range of experiences ranging from successful competition shooters to myself (who hasn’t shot a long range competition in 18 months) and Rich (who hasn’t fired a rifle at significant ranges in over a decade). We fired at two ranges 100 yards and 400 yards, with the latter representing the scene from the film, at representatively sized targets. We used 174gr PPU .303 ammunition in all weapons except the 7.62x51mm L4 (which does not directly factor into the results of this experiment).

Can You Easily Single-Load A Bren

In the morning before the shoot the group of shooters carried out familiarisation of the handling and Normal Safety Precautions (NSPs) for the Bren. It was then that we discussed the part of the scene where the sniper single-loads a round into the chamber. It was decided to test this question using a L54A1 Drill Purpose Bren held by the Vickers MG Collection and Research Association’s collection.

Rich demonstrates single-loading a cartridge into the Bren’s breech with an L54A1 Drill Purpose Bren

In the video you will see that this was possible but it was easily fumbled. It was possible to accidentally nose the round into the gas piston or to drop it though the action, out of the ejection port. It is imaginable that in the stress of combat it might prove difficult – but it is certainly possible to single-load the Bren in this way.

Measuring up: working out the Figure of Merit (Rich Fisher)

Is the Bren More Accurate Than a Rifle No.4(T)?

In short, no. We found that the average figure of merit value showed that the No.4(T) was more accurate at both 100 and 400 yards than the Bren. The caveat to this is that our data set for 400 yards was incomplete with some misses and off paper hits meaning only partial groups were recorded.

In terms of measuring the accuracy of the weapons we worked out individual shooter and group average Figure of Merit values. We explain how this was done in the video (with reference to this video from Rob of BritishMuzzleLoaders). The raw data can be seen below:

First we have the the raw data for the Rifle No.4(T) at 400 yards for all shooters combined input into the Figure of Merit (FoM) spreadsheet which calculated the FoM and group size and generated a grouping diagram:

Rifle No.4(T) at 400 yards

Below is the raw data for the Bren Mk3 at 400 yards for all shooters combined input into the Figure of Merit (FoM) spreadsheet which calculated the FoM and group size and generated a grouping diagram:

Bren MkIII at 400 yards

Below is a summary of the FoM and group data for each shooter with the various weapons as well as an averaged value:

Summary of the data showing individual shooters and averages

Tom’s group for the No.4(T) at 400 yards was off paper and not recorded, the data for Kev, Matt and Rich on the MkIII was partial due to misses and shots off paper – this is perhaps somewhat indicative of the advantage the No.4(T)’s scope gave over the Bren’s iron sights at 400 yards.

What would we do differently if we have the chance to repeat the experiment?

It would be useful to replicate the firing of the No.4(T) and Bren again to rectify the partial data we recorded at 400 yards. It would also be useful to fire the Bren mounted on a tripod rather than off the bipod. This would provide a useful control comparison with human factors effecting the weapon minimised. We had hoped to do this on the day but did not have the time. It may also be beneficial to enable each shooter to have 5-10 rounds to get on target and compensate for wind etc. and then shoot their representative five round group.

Sniper Bren: the sniper takes aim with ‘the Bren on single shot’

Why Does the Sniper Do This?

So why does the sniper do this in the film? Firing from the bipod would theoretically provide a more stable shooting platform than an unsupported rifle. There was, however, plenty of sandbags for him to take a supported shot with the No.4(T). There has been some suggestion that it was believed that the Bren was a more accurate weapon but data from service trials and our experiment show that it was not superior to a scoped, accurised rifle. The scene was probably a result of cinematic license, the sniper had previously been shown to be able to hit anything he had thus far aimed at so having him swap to “the Bren on single shot” gives an added weight to the scene and the action of single-loading rather than firing from the magazine adds to the technical theatricality of the scene depicting the sniper as a capable expert.


We hope you found the video interesting, special thanks to all who helped make the video happen, it was a big and sometimes chaotic effort! Do check out Vickers MG Collection & Research Association’s channel. For more videos and articles on the Bren Gun click here.


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Fighting On Film: Cockleshell Heroes (1955) ft. Saul David

Prime your limpet mines, pull on your windproofs and climb into your canoes and join us as we paddle furiously into enemy territory to discuss 1955’s Cockleshell Heroes with none other than historian Saul David.

Saul has a new history of the Special Boat Service out so what better film to tackle than Cockleshell Heroes. Starring Trevor Howard, Jose Ferrer, Victor Maddern, Christopher Lee and Percy Herbert as the Royal Marine Commandos tasked with sinking enemy ships deep in enemy territory on Operation Frankton!

The episode is also available on all other podcast platforms, you can find them here.

Here are some stills from the film:

If you enjoy the podcast then please check out our Patreon here. Be sure to follow Fighting On Film on Twitter @FightingOnFilm, on Facebook and don’t forget to check out www.fightingonfilm.com.

Thanks for listening!

A PIAT from Arnhem

Last weekend at the We Have Ways podcast’s history festival the Airborne Assault Museum brought along a very interesting piece of history – a PIAT with Arnhem provenance. The PIAT had allegedly been dropped during Operation Market Garden but not used. At some point after the battle it was discovered by locals and handed into the Doorwerth Castle Museum, the original airborne museum before it moved to the Hartenstein, and was subsequently gifted the the UK’s Airborne Assault Museum in the 1950s.

Discussing the PIAT with Ramsay of the Airborne Assault Museum (Matthew Moss)

The museum believes the PIAT has much of its original paint and in general the weapon is in excellent shape. It has the earlier rear sight with two apertures for 70 and 100 yards, the later design had three – with a maximum range of 110 yards. This PIAT’s monopod could still be raised and lowered, to elevate the weapon upto 40-degrees for indirect firing.

A close up of the PIAT (Mattthew Moss)

The indirect fire quadrant sight is in good condition – complete with its spirit level. The weapon also appears to have its original white indirect fire aiming line along the top of its body and almost pristine webbing – though the butt cover is frayed which isn’t uncommon. Sadly the weapon has been deactivated so we couldn’t open up the action or cock the weapon. It seems to have been welded at the front and rear of the body.

The PIAT is in great shape, albeit deactivated, and it was a pleasure to take a look at a weapon which could be traced back to the battle. Thank you to Ramsay, Ben and Allen of the Airborne Assault Museum for allowing me to examine and film the PIAT, check out the museum’s website here.

Click here for more articles and videos on the PIAT.


If you enjoyed this video and article please consider supporting our work here. We have some great perks available for Patreon Supporters. You can pick up a ‘Bring Up The PIAT’ shirt here. Thank you for your support!

Fighting On Film: Baskeyfield VC

In the last of this month’s Market Garden specials we bring you a very special look at an amateur feature from the 1960s.

Baskeyfield VC‘ tells the incredible story of the actions of John Baskeyfield who was the only Stoke-born recipient of the Victoria Cross during the Second World War. Produced, written and directed by Bill Townley over 3 years, this film is a hidden gem within the war movie genre.

From showing the exploits of Lonsdale force dug in around Oosterbeek Church to Baskeyfield’s VC action itself. The film is a feat of what a driven and passionate film maker can achieve on a micro-budget!

The film was lovingly restored by Ray Johnson of the Staffordshire Film Archive, we talk to Ray about this process during the episode. The film is available to buy here.

Here are some stills from the film:

If you enjoy the podcast then please check out our Patreon here. Be sure to follow Fighting On Film on Twitter @FightingOnFilm, on Facebook and don’t forget to check out www.fightingonfilm.com.

Thanks for listening!

Fighting On Film: The War Below (2021)

We were lucky enough to see an advanced screening of J.P Watt’s ‘The War Below‘ to bring you our exclusive review of his debut feature!

The film, set during the First World War, tells the story of a small team of civilian sewer engineers who are plucked from their jobs and tasked with helping dig mines underneath German strong points on the Western Front. They are called up by the legendary ‘Hellfire Jack’ played by Tom Goodman Hill.

This Anglo-American production punches above its budget to deliver tense tunnel sequences and brutal depictions of tunnel warfare.

You can watch The War Below on VOD here.

The episode is also available on all other podcast platforms, you can find them here.

Here are some stills from the film:

Remember to follow us on Twitter @FightingOnFilm and on Facebook.